๐Ÿ˜ผ I saw 15 seconds of a Beyoncรฉ show on HBO.
The 1st image was a gun, the 2nd, intercourse.
Tragicallyโ€”little girls & boys watch this diabolic garbage
ages 4, 5 & 6. satan is in the house ๐Ÿ‘บ

๐Ÿ‡บ๐Ÿ‡ธ The Vigilant Citizen
The Intense Symbolism in Beyoncรฉโ€™s Renaissance World Tour:
โ€œBefore the show begins.. LGBT Pride flags..
Throughout the show male dancers dress as women..
Trans/drag dancers during Run The World (Girls)..
BEYONCร‰ WAS BUILT TO PROMOTE AGENDAS.โ€

https://vigilantcitizen.com/musicbusiness/the-intense-symbolism-in-beyonce/

๐Ÿ‡ฌ๐Ÿ‡ง Laura Aboli
The Tour tells the story of Beyoncรฉโ€™s transformation
from soulful R&B singer into a tool of the elite reduced to slavery.

THIS IS A WAR FOR OUR SOULS;
their ultimate goal is Posthumanism ie.
when we are no longer humans but cyborgs
under their absolute control.

They never hide their plans,
THEY MUST ALWAYS SHOW US in order to get our tacit consent.

https://t.me/LauraAbolichannel

#IDoNotConsent

In response Kat istheSea3 to her Publication

she is advertising she has changed.
i believe they have to do this...to prove they are loyal to satan.
think of the people who rose that fast in the stardom charts..actors , singers, etc.

In response sharon pasvant to her Publication

I'm beginning to believe that ALL
or at least 90% had to sign a deal with the devil
which was the ONLY WAY they could work.

And it's so horrible because EVERY Society
needs Artists, Story-tellers, Dancers, Singers,
Actors, Playwrights, Painters, etc.

But in the devil's matrix
satan made sure Artists can ONLY TELL
diabolic, transgender, mind-control stories ๐Ÿคฎ

And if you don't, then you're messed with
driven mad, unemployed, impoverished,
or stolen from ๐Ÿ’ฅ

But thank God & QTeam
the day is coming when ALL this is GONE
& God's LIGHT prevails once again
& beautiful, gorgeous, inspiring Art
will be the norm
& all this garbage, the nightmare it was ๐Ÿ•Š๐ŸŒท

In response Kat istheSea3 to her Publication

i believe this with my whole heart.

๐Ÿ˜ป๐Ÿ™๐Ÿป๐Ÿ˜น๐ŸŒŸ๐Ÿ’๐ŸŒผ๐Ÿ•Š

In response sharon pasvant to her Publication

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